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    Walter Scott




    INTRODUCTION

    A certain degree of success, real or supposed, in the delineation of
    Queen Mary, naturally induced the author to attempt something similar
    respecting "her sister and her foe," the celebrated Elizabeth. He
    will not, however, pretend to have approached the task with the same
    feelings; for the candid Robertson himself confesses having felt the
    prejudices with which a Scottishman is tempted to regard the subject;
    and what so liberal a historian avows, a poor romance-writer dares not
    disown. But he hopes the influence of a prejudice, almost as natural to
    him as his native air, will not be found to have greatly affected the
    sketch he has attempted of England's Elizabeth. I have endeavoured
    to describe her as at once a high-minded sovereign, and a female of
    passionate feelings, hesitating betwixt the sense of her rank and
    the duty she owed her subjects on the one hand, and on the other her
    attachment to a nobleman, who, in external qualifications at least,
    amply merited her favour. The interest of the story is thrown upon that
    period when the sudden death of the first Countess of Leicester seemed
    to open to the ambition of her husband the opportunity of sharing the
    crown of his sovereign.

    It is possible that slander, which very seldom favours the memories
    of persons in exalted stations, may have blackened the character of
    Leicester with darker shades than really belonged to it. But the almost
    general voice of the times attached the most foul suspicions to the
    death of the unfortunate Countess, more especially as it took place so
    very opportunely for the indulgence of her lover's ambition. If we can
    trust Ashmole's Antiquities of Berkshire, there was but too much ground
    for the traditions which charge Leicester with the murder of his wife.
    In the following extract of the passage, the reader will find the
    authority I had for the story of the romance:--

    "At the west end of the church are the ruins of a manor, anciently
    belonging (as a cell, or place of removal, as some report) to the
    monks of Abington. At the Dissolution, the said manor, or lordship, was
    conveyed to one--Owen (I believe), the possessor of Godstow then.

    "In the hall, over the chimney, I find Abington arms cut in
    stone--namely, a patonee between four martletts; and also another
    escutcheon--namely, a lion rampant, and several mitres cut in stone
    about the house. There is also in the said house a chamber called
    Dudley's chamber, where the Earl of Leicester's wife was murdered, of
    which this is the story following:--

    "Robert Dudley, Earl of Leicester, a very goodly personage, and
    singularly well featured, being a great favourite to Queen Elizabeth,
    it was thought, and commonly reported, that had he been a bachelor or
    widower, the Queen would have made him her husband; to this end, to free
    himself of all obstacles, he commands, or perhaps, with fair flattering
    entreaties, desires his wife to repose herself here at his servant
    Anthony Forster's house, who then lived in the aforesaid manor-house;
    and also prescribes to Sir Richard Varney (a prompter to this design),
    at his coming hither, that he should first attempt to poison her, and if
    that did not take effect, then by any other way whatsoever to dispatch
    her. This, it seems, was proved by the report of Dr. Walter Bayly,
    sometime fellow of New College, then living in Oxford, and professor of
    physic in that university; whom, because he would not consent to take
    away her life by poison, the Earl endeavoured to displace him the court.
    This man, it seems, reported for most certain that there was a practice
    in Cumnor among the conspirators, to have poisoned this poor innocent
    lady, a little before she was killed, which was attempted after this
    manner:--They seeing the good lady sad and heavy (as one that well
    knew, by her other handling, that her death was not far off), began to
    persuade her that her present disease was abundance of melancholy and
    other humours, etc., and therefore would needs counsel her to take some
    potion, which she absolutely refusing to do, as still suspecting the
    worst; whereupon they sent a messenger on a day (unawares to her) for
    Dr. Bayly, and entreated him to persuade her to take some little potion
    by his direction, and they would fetch the same at Oxford; meaning to
    have added something of their own for her comfort, as the doctor
    upon just cause and consideration did suspect, seeing their great
    importunity, and the small need the lady had of physic, and therefore
    he peremptorily denied their request; misdoubting (as he afterwards
    reported) lest, if they had poisoned her under the name of his potion,
    he might after have been hanged for a colour of their sin, and the
    doctor remained still well assured that this way taking no effect, she
    would not long escape their violence, which afterwards happened thus.
    For Sir Richard Varney abovesaid (the chief projector in this design),
    who, by the Earl's order, remained that day of her death alone with her,
    with one man only and Forster, who had that day forcibly sent away all
    her servants from her to Abington market, about three miles distant from
    this place; they (I say, whether first stifling her, or else strangling
    her) afterwards flung her down a pair of stairs and broke her neck,
    using much violence upon her; but, however, though it was vulgarly
    reported that she by chance fell downstairs (but still without hurting
    her hood that was upon her head), yet the inhabitants will tell you
    there that she was conveyed from her usual chamber where she lay, to
    another where the bed's head of the chamber stood close to a privy
    postern door, where they in the night came and stifled her in her bed,
    bruised her head very much broke her neck, and at length flung her down
    stairs, thereby believing the world would have thought it a mischance,
    and so have blinded their villainy. But behold the mercy and justice
    of God in revenging and discovering this lady's murder; for one of the
    persons that was a coadjutor in this murder was afterwards taken for a
    felony in the marches of Wales, and offering to publish the manner
    of the aforesaid murder, was privately made away in the prison by the
    Earl's appointment; and Sir Richard Varney the other, dying about the
    same time in London, cried miserably, and blasphemed God, and said to
    a person of note (who hath related the same to others since), not long
    before his death, that all the devils in hell did tear him in pieces.
    Forster, likewise, after this fact, being a man formerly addicted to
    hospitality, company, mirth, and music, was afterwards observed to
    forsake all this, and with much melancholy and pensiveness (some say
    with madness) pined and drooped away. The wife also of Bald Butter,
    kinsman to the Earl, gave out the whole fact a little before her death.
    Neither are these following passages to be forgotten, that as soon as
    ever she was murdered, they made great haste to bury her before the
    coroner had given in his inquest (which the Earl himself condemned as
    not done advisedly), which her father, or Sir John Robertsett (as I
    suppose), hearing of, came with all speed hither, caused her corpse to
    be taken up, the coroner to sit upon her, and further inquiry to be made
    concerning this business to the full; but it was generally thought that
    the Earl stopped his mouth, and made up the business betwixt them; and
    the good Earl, to make plain to the world the great love he bare to her
    while alive, and what a grief the loss of so virtuous a lady was to his
    tender heart, caused (though the thing, by these and other means, was
    beaten into the heads of the principal men of the University of Oxford)
    her body to be reburied in St, Mary's Church in Oxford, with great
    pomp and solemnity. It is remarkable, when Dr. Babington, the Earl's
    chaplain, did preach the funeral sermon, he tript once or twice in
    his speech, by recommending to their memories that virtuous lady so
    pitifully murdered, instead of saying pitifully slain. This Earl, after
    all his murders and poisonings, was himself poisoned by that which
    was prepared for others (some say by his wife at Cornbury Lodge before
    mentioned), though Baker in his Chronicle would have it at Killingworth;
    anno 1588." [Ashmole's Antiquities of Berkshire, vol.i., p.149. The
    tradition as to Leicester's death was thus communicated by Ben Jonson to
    Drummond of Hawthornden:--"The Earl of Leicester gave a bottle of liquor
    to his Lady, which he willed her to use in any faintness, which she,
    after his returne from court, not knowing it was poison, gave him, and
    so he died."--BEN JONSON'S INFORMATION TO DRUMMOND OF HAWTHORNDEN, MS.,
    SIR ROBERT SIBBALD'S COPY.]

    The same accusation has been adopted and circulated by the author of
    Leicester's Commonwealth, a satire written directly against the Earl of
    Leicester, which loaded him with the most horrid crimes, and, among
    the rest, with the murder of his first wife. It was alluded to in the
    Yorkshire Tragedy, a play erroneously ascribed to Shakespeare, where
    a baker, who determines to destroy all his family, throws his wife
    downstairs, with this allusion to the supposed murder of Leicester's
    lady,--

    "The only way to charm a woman's tongue
    Is, break her neck--a politician did it."

    The reader will find I have borrowed several incidents as well as names
    from Ashmole, and the more early authorities; but my first acquaintance
    with the history was through the more pleasing medium of verse. There
    is a period in youth when the mere power of numbers has a more strong
    effect on ear and imagination than in more advanced life. At this season
    of immature taste, the author was greatly delighted with the poems of
    Mickle and Langhorne, poets who, though by no means deficient in the
    higher branches of their art, were eminent for their powers of verbal
    melody above most who have practised this department of poetry. One of
    those pieces of Mickle, which the author was particularly pleased with,
    is a ballad, or rather a species of elegy, on the subject of Cumnor
    Hall, which, with others by the same author, was to be found in Evans's
    Ancient Ballads (vol. iv., page 130), to which work Mickle made liberal
    contributions. The first stanza especially had a peculiar species of
    enchantment for the youthful ear of the author, the force of which is
    not even now entirely spent; some others are sufficiently prosaic.

    CUMNOR HALL.

    The dews of summer night did fall;
    The moon, sweet regent of the sky,
    Silver'd the walls of Cumnor Hall,
    And many an oak that grew thereby,

    Now nought was heard beneath the skies,
    The sounds of busy life were still,
    Save an unhappy lady's sighs,
    That issued from that lonely pile.

    "Leicester," she cried, "is this thy love
    That thou so oft hast sworn to me,
    To leave me in this lonely grove,
    Immured in shameful privity?

    "No more thou com'st with lover's speed,
    Thy once beloved bride to see;
    But be she alive, or be she dead,
    I fear, stern Earl, 's the same to thee.

    "Not so the usage I received
    When happy in my father's hall;
    No faithless husband then me grieved,
    No chilling fears did me appal.

    "I rose up with the cheerful morn,
    No lark more blithe, no flower more gay;
    And like the bird that haunts the thorn,
    So merrily sung the livelong day.

    "If that my beauty is but small,
    Among court ladies all despised,
    Why didst thou rend it from that hall,
    Where, scornful Earl, it well was prized?

    "And when you first to me made suit,
    How fair I was you oft would say!
    And proud of conquest, pluck'd the fruit,
    Then left the blossom to decay.

    "Yes! now neglected and despised,
    The rose is pale,

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