Or 'Tis Sixty Years Hence

by Sir Walter Scott






[Transcriber's Note:
I feel that it is important to note that this book is part
of the Caledonian series. The Caledonian series is a group
of 50 books comprising all of Sir Walter Scott's works.]







WAVERLEY

OR 'T IS SIXTY YEARS SINCE

BY SIR WALTER SCOTT

VOLUME I





PUBLISHERS' NOTE


It has long been the ambition of the present publishers to offer
to the public an ideal edition of the writings of Sir Walter
Scott, the great poet and novelist of whom William Hazlitt said,
'His works are almost like a new edition of human nature.' Secure
in the belief not only that his writings have achieved a permanent
place in the literature of the world, but that succeeding
generations will prize them still more highly, we have, after the
most careful planning and study, undertaken the publication of
this edition of the Waverley Novels and the complete poetical
writings.

It is evident that the ideal edition of a great classic must be
distinguished in typography, must present the best available text,
and must be illustrated in such a way as at once to be beautiful
in itself and to add to the reader's pleasure and his
understanding of the book. As to the typography and text, little
need be said here. The format of the edition has been most
carefully studied, and represents the use of the best resources of
The Riverside Press. The text has been carefully edited in the
light of Scott's own revisions; all of his own latest notes have
been included, glossaries have been added, and full descriptive
notes to the illustrations have been prepared which will, we hope,
add greatly to the reader's interest and instruction in the
reading of the novels and poems.

Of the illustrations, which make the special feature of this
edition, something more may be said. In the case of an author like
Sir Walter Scott, the ideal edition requires that the beautiful
and romantic scenery amid which he lived and of which he wrote
shall be adequately presented to the reader. No other author ever
used more charming backgrounds or employed them to better
advantage. To see Scotland, and to visit in person all the scenes
of the novels and poems, would enable the reader fully to
understand these backgrounds and thereby add materially to his
appreciation of the author.

Before beginning the preparation of this edition, the head of the
department having it in charge made a visit in person to the
scenes of the novels and poems, determined to explore all the
localities referred to by the author, so far as they could be
identified. The field proved even more productive than had been at
first supposed, and photographs were obtained in sufficient
quantity to illustrate all the volumes. These pictures represent
the scenes very much as Scott saw them. The natural scenery--
mountains, woods, lakes, rivers, seashore, and the like--is nearly
the same as in his day. The ruins of ancient castles and abbeys
were found to correspond very closely with his descriptions,
though in many instances he had in imagination rebuilt these ruins
and filled them with the children of his fancy. The scenes of the
stories extend into nearly every county in Scotland and through a
large part of England and Wales. All of these were thoroughly
investigated, and photographs were made of everything of interest.
One of the novels has to do with France and Belgium, one with
Switzerland, one with the Holy Land, one with Constantinople, and
one with India. For all of these lands, which Scott did not visit
in person, and therefore did not describe with the same attention
to detail as in the case of his own country, interesting pictures
of characteristic scenery were secured. By this method the
publishers have hoped to bring before the reader a series of
photographs which will not only please the eye and give a
satisfactory artistic effect to the volumes, but also increase the
reader's knowledge of the country described and add a new charm to
the delightful work of the author. In addition to the photographs,
old engravings and paintings have been reproduced for the
illustration of novels having to do with old buildings, streets,
etc., which have long since disappeared. For this material a
careful search was made in the British Museum, the Advocates'
Library and City Museum, Edinburgh, the Library at Abbotsford, the
Bibliotheque Nationale, Paris, and other collections.

It has been thought, too, that the ideal edition of Scott's works
would not be complete without an adequate portrayal of his more
memorable characters. This has been accomplished in a series of
frontispieces specially painted for this edition by twenty of the
most distinguished illustrators of England.

4 PARK STREET, BOSTON.





ADVERTISEMENT TO THE WAVERLEY NOVELS


IT has been the occasional occupation of the Author of Waverley,
for several years past, to revise and correct the voluminous
series of Novels which pass under that name, in order that, if
they should ever appear as his avowed productions, he might render
them in some degree deserving of a continuance of the public
favour with which they have been honoured ever since their first
appearance. For a long period, however, it seemed likely that the
improved and illustrated edition which he meditated would be a
posthumous publication. But the course of the events which
occasioned the disclosure of the Author's name having, in a great
measure, restored to him a sort of parental control over these
Works, he is naturally induced to give them to the press in a
corrected, and, he hopes, an improved form, while life and health
permit the task of revising and illustrating them. Such being his
purpose, it is necessary to say a few words on the plan of the
proposed Edition.

In stating it to be revised and corrected, it is not to be
inferred that any attempt is made to alter the tenor of the
stories, the character of the actors, or the spirit of the
dialogue. There is no doubt ample room for emendation in all these
points,--but where the tree falls it must lie. Any attempt to
obviate criticism, however just, by altering a work already in the
hands of the public is generally unsuccessful. In the most
improbable fiction, the reader still desires some air of
vraisemblance, and does not relish that the incidents of a tale
familiar to him should be altered to suit the taste of critics, or
the caprice of the Author himself. This process of feeling is so
natural, that it may be observed even in children, who cannot
endure that a nursery story should be repeated to them differently
from the manner in which it was first told.

But without altering, in the slightest degree, either the story or
the mode of telling it, the Author has taken this opportunity to
correct errors of the press and slips of the pen. That such should
exist cannot be wondered at, when it is considered that the
Publishers found it their interest to hurry through the press a
succession of the early editions of the various Novels, and that
the Author had not the usual opportunity of revision. It is hoped
that the present edition will be found free from errors of that
accidental kind.

The Author has also ventured to make some emendations of a
different character, which, without being such apparent deviations
from the original stories as to disturb the reader's old
associations, will, he thinks, add something to the spirit of the
dialogue, narrative, or description. These consist in occasional
pruning where the language is redundant, compression where the
style is loose, infusion of vigour where it is languid, the
exchange of less forcible for more appropriate epithets--slight
alterations in short, like the last touches of an artist, which
contribute to heighten and finish the picture, though an
inexperienced eye can hardly detect in what they consist.

The General Preface to the new Edition, and the Introductory
Notices to each separate work, will contain an account of such
circumstances attending the first publication of the Novels and
Tales as may appear interesting in themselves, or proper to be
communicated to the public. The Author also proposes to publish,
on this occasion, the various legends, family traditions, or
obscure historical facts which have formed the ground-work of
these Novels, and to give some account of the places where the
scenes are laid, when these are altogether, or in part, real; as
well as a statement of particular incidents founded on fact;
together with a more copious Glossary, and Notes explanatory of
the ancient customs and popular superstitions referred to in the
Romances.

Upon the whole, it is hoped that the Waverley Novels, in their new
dress, will not be found to have lost any part of their
attractions in consequence of receiving illustrations by the
Author, and undergoing his careful revision.

ABBOTSFORD, January, 1829.





GENERAL PREFACE TO THE WAVERLEY NOVELS

---And must I ravel out
My weaved-up follies?

Richard II, Act IV.

Having undertaken to give an Introductory Account of the
compositions which are here offered to the public, with Notes and
Illustrations, the Author, under whose name they are now for the
first time collected, feels that he has the delicate task of
speaking more of himself and his personal concerns than may
perhaps be either graceful or prudent. In this particular he runs
the risk of presenting himself to the public in the relation that
the dumb wife in the jest-book held to her husband, when, having
spent half of his fortune to obtain the cure of her imperfection,
he was willing to have bestowed the other half to restore her to
her former condition. But this is a risk inseparable from the task
which the Author has undertaken, and he can only promise to be as
little of an egotist as the situation will permit. It is perhaps
an indifferent sign of a disposition to keep his word, that,
having introduced himself in the third person singular, he
proceeds in the second paragraph to make use of the first. But it
appears to him that the seeming modesty connected with the former
mode of writing is overbalanced by the inconvenience of stiffness
and affectation which attends it during a narrative of some
length, and which may be observed less or more in every work in
which the third person is used, from the Commentaries of Caesar to
the Autobiography of Alexander the Corrector.

I must refer to a very early period of my life, were I to point
out my first achievements as a tale-teller; but I believe some of
my old schoolfellows can still bear witness that I had a
distinguished character for that talent, at a time when the
applause of my companions was my recompense for the disgraces and
punishments which the future romance-writer incurred for being
idle himself, and keeping others idle, during hours that should
have been employed on our tasks. The chief enjoyment of my
holidays was to escape with a chosen friend, who had the same
taste with myself, and alternately to recite to each other such
wild adventures as we were able to devise. We told, each in turn,
interminable tales of knight-errantry and battles and
enchantments, which were continued from one day to another as
opportunity offered, without our ever thinking of bringing them to
a conclusion. As we observed a strict secrecy on the subject of
this intercourse, it acquired all the character of a concealed
pleasure, and we used to select for the scenes of our indulgence
long walks through the solitary and romantic environs of Arthur's
Seat, Salisbury Crags, Braid Hills, and similar places in the
vicinity of Edinburgh; and the recollection of those holidays
still forms an oasis in the pilgrimage which I have to look back
upon. I have only to add, that